Daksh Sharma — Magritte-style portrait with an apple

I think design is mostly storytelling

Let’s start with a flashback

A collage of animated characters, classical paintings, and surreal art that shaped how I think about storytelling

The animated films I grew up on and the art that I saw taught me you can make someone feel something without saying it directly. I’ve been trying to do that with products ever since. The goal was never just to make it work. It was to make someone feel something.

Newspaper clipping of a young Daksh winning a design competition, building at a science fair, and the NIT Rourkela campus

Long before I knew the word “design,” I was a kid who just made things: science fair models, robots, whatever the problem in front of me needed. That instinct took me through industrial design engineering at NIT Rourkela, and somewhere along the way I found the digital version of it. Same love of building, better tools, a lot more people to build for.

A collage of psychologists and thinkers — Freud, Jung, Kahneman — surrounded by floating brains

What pulls me most is what happens beneath a decision. I found Carl Jung early, and the idea that so much of what moves us is unconscious, symbolic, half-hidden, felt like the truest thing anyone had said about people. It changed what I look for in a product. Not just whether it’s usable, but what it makes someone feel before they’ve thought about it at all. Most of the interesting work happens on that layer.

How can I make it more Daksh?

A surreal collage of objects that inspire me — a Magritte archway, Sony Walkman, Cesca chair, TP-7, and a Swatch watch, all tied together by a flying dove

I’ve always loved the products brave enough to be strange: the ones that could have been a beige box and chose to be joyful instead. “How can I make it more Daksh?” is the permission I give myself to do the same. Get it correct first, then push past correct into something that looks a little different and connects. That last ten percent is usually the only part anyone remembers.

Start With Why by Simon Sinek

Start with why — before anything else, I ask what the work is really for

A kintsugi vase repaired with gold — wabi-sabi, the beauty of imperfection

Perfect imperfection — nothing is right on day one, so I ship, watch, and let the data say where to go next.

My side quests

My paid work has been mostly health tech, most recently as the only designer on a metabolic health platform. The things I’m proudest of, though, are the ones nobody asked me to build.

When I’m not working, I’m usually somewhere off the clock.